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                <text>Native American birch bark purse embellished with dyed moose hair in a floral leaf pattern.  According to Carol Conn of Connecticut Country Antiques, before the arrival of the Europeans, members of the Iroquois nation (six tribes, Mohawk, Seneca, Oneida, Cayuga, Onondaga and Tuscarora) were skilled at moosehair embroidery on birchbark.  By the middle of the 18th century, the British were actively seeking “Indian curios” and the Iroquois started making items to sell in order to help them support their families.  Made from around 1700 until the 1880s.  The moose hair comes from the mane of the moose.  For more information see americannativearts.com </text>
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                    <text>Small paper purse decorated with shells.</text>
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Paintings done by Field can be found in numerous collections of some of America's finest museums. Several Earth coast museums include Historic Deerfield; Mead Art Museum; Amherst College; Brown Art Center at Smith College; Mount Holyoke College Museum of Art; Springfield Museum of Fine Arts; Worcester Art Museum; Danforth Museum, Framingham Ma; Boston Museum of Fine Art; Bennington, VT Museum; Shelburn,VT. Museum, The Rhode Island School of Design Museum; The Metropolitan Museum of Art, New York City; The National Gallery, Washington D.C.; and Colonial Williamsburg; Virginia. Few other artists are as widely accepted as Field is so quintessentially exemplifying their genre.&#13;
Recently in 2000, a Madison Avenue, New York City art dealer offered one of three known renditions of Field's "Garden of Eden" for sale at $95,000.&#13;
Erastus Field was born in Leverett in 1805, though he lived in many different places in New England, as well as in New York City, where he took painting lessons from Samuel F.B. Morse.&#13;
At age 50, being widowed and having to care for his aging father, he moved to a now lost house on Plumtree Road in Sunderland. The house owned by his cousin, the nearby Inn-keeper, Caleb Hubbard.&#13;
Field, like many of his cousins, was a farmer, though painting was his life-long ambition, it provided him with supplemental income. During his early years, Field painted mostly portraits. But by the mid 19th century photography was becoming popular, thus rendering portrait painters obsolete. Erastus then turned to painting landscapes and biblical scenes. Some were of local subjects such as Leverett Pond and Rattlesnake gutter. Often, Field would include a view of the Mt. Holyoke range in places where it did not exist, such as the North end of Leverett Pond. Perhaps this added sales appeal to his quickly done works.&#13;
Field painted until his death in 1900 at age 95. Many of his paintings were lost to obscurity. In the last fifty years, many paintings have come to light being eagerly sought after by collectors.</text>
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                <text>This portrait of William Birt was painted by Sunderland artist Erastus Salisbury Field. The painting was "rescued from a trash heap" by William Lloyd Hubbard who paid 10 cents for it at an auction held at the Woodbury-Birt  home on Old Amherst road about 1940. Hubbard had the picture restored and donated it to the Swampfield Historical Society.</text>
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                <text>Rosie Walunas</text>
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                <text>Leonard Zimnowski sprays the potato crop on the River road family farm. View looking North East. Buildings on this farm were taken down in the early 1970s to make way for the present day apartment complex.</text>
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